Folklore Tradition Urbanity
On the last weekend in October , the Centre for the Study of Popular Culture organized, in cooperation with the V4 partners, i.
folklore tradition urbanity Manual
The historical narrative of nation building in East Central Europe has highlighted how nationalist movements have linked the city and the village. The linear process of urbanization has relied on a logic that interlocks rural and urban spaces in this region. Whilst on the one hand both capitalist and state socialist modernization have brought an influx of rural migrants from the countryside to urban centres, this has, on the other, given rise to numerous artistic and social movements which have fostered an interest in rural space and culture e.
It is only from this perspective that we see the emergence of tensions between popular culture rooted in traditional folk culture, cultural activities stimulated by new technologies and the everyday life cultural strategies of urban communities and subcultures. During the 20th century different political regimes brought to the fore either rural or urban segments of the population, which in turn had a significant impact on popular culture.
In interviews with his fellow passengers at the bus stop, Jansen asked how the idea of culturedness a variant of balkanism influenced their everyday routine and communication. People drew comparisons with other, mainly Western countries and complained about the bad behaviour of bus drivers and inspectors who were aggressive and rude.
They sometimes blamed this absence of culturedness on the supposed regional identity of the bus drivers. They perceived their everyday transport situation as abnormal and complained that a normal life was beyond their reach, in comparison with the lives they had lived during communist times. She concluded that gardening in colonies as a lifestyle has been a significant feature of urban life under both political systems — before and after Among other reflections, Fialka highlighted the turning of traditional rural songs into the pop-music arrangements of the s as part of a socialist modernity.
Her examination was based on quantitative research which collected more than five hundred interviews. The following paper focused on the theme of migration from the countryside to the city as portrayed in Bulgarian cinema. She stressed that whilst geopolitical transformations have given rise to new genres and styles in Bulgarian cinema, there is still considerable continuity, both in terms of style and subject matter, between pre- and post films.
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Her interpretation of these films was subsequently challenged in the follow-up discussion by some participants who regarded them as proof of the existence of stereotypes in popular cinema. Nevertheless, as the paper pointed out, it may also be viewed as an act of self-orientalism in contemporary Croatian society. A crucial role in this relationship was played by stereotypes which were created by newspapers, magazines frequently humour magazines , books, drama, and later by radio and films as well. Petrovici distinguished two different types of cafes which exist nowadays: in the first one cultural capital constitutes the main essence, and the other is largely bound up with financial capital.
Both are representative of the style of the new post-socialist elites. The next presenter followed up on this theme in greater detail, albeit in a different country. In his paper he tried to identify themes related to inegalitarianism, embourgeoisement , Darwinism, productionist ethics and the admiration of both self-made men and the aristocracy.
INTERNATIONAL ASSOCIATION FOR THE STUDY OF TRADITIONAL ENVIRONMENTS
Both capitalism and state socialist modernization did not destroy, but, on the contrary, defined this split even more clearly. The second day of the conference began with the thematic panel on traditionalism and modernism in the Baltic States of the 19th and 20th century. Top Charts. New Arrivals. Folklore Tradition Urbanity Dr. Soumen Sen January 21, Though assorted, the essays in this book display an element of unity. Written, to read in seminars and conferences, and publish in journals and volumes, during past five-six years mostly, these essays traverse a few hither to unchartered areas of Indian folklorography.
Orality, a dominant marker of folklore in its conventional, stereotype, assessment and concept, is seen in the problematic of inter-textuality between the oral and the written. Likewise, folklore, treated as rural constructs only in terms of nineteenth century perception, has been reviewed and revisited, to find that it contains fairly strong urban ingredients.
Folklore Tradition Urbanity
Urbanity, which was viewed as a threat to the authenticity of folklore, till the mid-fifties of the last century, is perceived in the new and currently prevailing trends in folklorography, as a distinct space for the growth of challenging and equally strong folk discourses. Development processes of urbanization, even mega-urbanization, and folklore are not antithetic. Reviews Review Policy. Published on. Original pages. Best For.
Folklore Tradition Urbanity
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Please follow the detailed Help center instructions to transfer the files to supported eReaders. More featuring folklores. See more. Jasmine and Coconuts: South Indian Tales. Cathy Spagnoli. Lush tropical lands, exotic flora and fauna, colorful clothing, and the spirit and influence of Hinduism are some of the wonders to be seen in Southern India.
Among the many lively sounds are the those of traditional and contemporary stories as found in this collection. Tales of tricksters, heroes, and sages as well as modern jokes, true stories, and teaching stories tales total, balanced in length, mood, and age appeal--can be found in this unique anthology. With the stories, the authors give a historical overview of the region and detailed storytelling notes. Color photos and elegant line drawings complement the text, as does a resource listing of books, centers, Web sites, and a calendar of South Indian festivals.
A beautiful introduction to a fascinating culture and people. Folktales from Northern India. William Crooke. In , at a time when the study of India was primarily based on ancient texts, coins, and material remains, William Crooke dared to focus on living India--its everyday culture, age-old customs, and fictional narratives. With Pandit Ram Gharib Chaube, he recorded and published, over a period of six years, a remarkable collection of folktales from northern India.
Mary Frere. In the cold months of , young Mary Frere and her father, Bartle Frere, British governor of Bombay, set out in a caravan across the Deccan province of south central India. During their journey Mary transcribed 24 popular Hindu folktales told to her by her nursemaid. That collection of tales, which she published as Old Deccan Days, not only became the first Indian folklore collection in English, it established a new genre of writing about British India.
Panchatantra is perhaps the oldest collection of Indian fables still gaining strength and moving ahead. Panchatantra consists of five books: 1. Mitra Bhedha The loss of friends ; 2. Mitra Laabha Gaining friends ; 3.
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Kakolukiyam Crows and owls ; 4. Labdhap-ranasam Loss of gains ; and 5. Aparikshitakarakam Ill-considered actions. The simple stories of Panchatantra have stood the test of time in the modern age of materialism, stressful living and individualism, and aim to guide the young readers on how to attain success in life by understanding human nature.
Key Features: Written in simple and lucid language Each story is supplemented by a moral Word meaning for vocabulary building Practice exercise given for better understanding Panchatantra is commonly available in an abridged form for children. It is an ideal book worth going through many times over. Honestly speaking, it is of far more practical importance for elders to read this book since it is they who always come in contact with people having good, doubtful or bad intensions and motives.